Straight from the rehearsal room....
In the middle of a scene today, there was a knock on the door and a man holding a tray of coffee said 'I thought you might like some coffee.' He then left. We were all stunned and thought it had come by mistake.
It turns out this man lives across the road and was cooking in his kitchen thinking that we might need some coffee so brought it over for us. What generosity!
Below is a picture of Matilda, one of the secondees on Harbinger, and Yael (who plays Maddy) with the fabulous tray of coffee. It even had chocolates!
Wednesday, July 28
Harbinger is coming
It's been yonks since we've blogged on Brink Bits.....!
We have just started rehearsals for our new work Harbinger and we'll try to get the director, the writer, the actors, the stage manager - ANYONE! - to give us bits of this and bits of that to post in the Brink blog. We want to tell you what's happening behind the scenes - and what's NOT happening! What should be happening and just general goss.
You've probably heard that young Matt Whittet is the writer. Sorry, we're supposed to say Matthew Whittet! He's been doing another show with Windmill. But it's our turn for Matt now! Well soon..... Anyway, he's really done his bit. He's written the play! It's outa his hands! We'll try and get a few lines from Matt soon about how it feels to hear actors SPEAK your lines...
And we'll get the Director, Chris Drummond, to spill the beans on rehearsing a new work like Harbinger.
Actors ALWAYS have an opinion and something to say so we're sure to get a few words from Nathan, Yael or Alex at some point. Whether it has anything to do with the play is a moot point but we remain hopeful.
And last but not least the stage manager. Melanie Selwood. will tell what she has to put up with in the rehearsal room - with the help of ASM, Kat Braun.
Who knows who else we'll rope in to share some backstage secrets with you. You'll just have to check in from time to time to find out!
So, take note! Harbinger is coming soon to a theatre near you....
We have just started rehearsals for our new work Harbinger and we'll try to get the director, the writer, the actors, the stage manager - ANYONE! - to give us bits of this and bits of that to post in the Brink blog. We want to tell you what's happening behind the scenes - and what's NOT happening! What should be happening and just general goss.
You've probably heard that young Matt Whittet is the writer. Sorry, we're supposed to say Matthew Whittet! He's been doing another show with Windmill. But it's our turn for Matt now! Well soon..... Anyway, he's really done his bit. He's written the play! It's outa his hands! We'll try and get a few lines from Matt soon about how it feels to hear actors SPEAK your lines...
And we'll get the Director, Chris Drummond, to spill the beans on rehearsing a new work like Harbinger.
Actors ALWAYS have an opinion and something to say so we're sure to get a few words from Nathan, Yael or Alex at some point. Whether it has anything to do with the play is a moot point but we remain hopeful.
And last but not least the stage manager. Melanie Selwood. will tell what she has to put up with in the rehearsal room - with the help of ASM, Kat Braun.
Who knows who else we'll rope in to share some backstage secrets with you. You'll just have to check in from time to time to find out!
So, take note! Harbinger is coming soon to a theatre near you....
Tuesday, May 4
New look for Brink
It's been a long time since we wrote anything on Brink Bits.... for no other reason that we've been busy creating a new look for Brink Productions.
We're still rolling it out and you'll see bits and pieces here, there and everywhere over the next few days. It's been a very exciting process. We collaborated with leading integrated communication company slipperyfish - just like we do when we make work for the stage. We'll tell you more about that collaboration soon.
Meantime we'd love you to see what's up next for Brink in the new brochure. You can collect one from Dunstan Playhouse or call us at the Brink office with your details and we'll happily post one out (Tel: 8211 6565)
The new brochure tells you about the shows for 2010 (a new work, Harbinger, and a short return season of our multi-award winning production of When The Rain Stops Falling before it tours for the very last time) and how you can buy tickets to Brink shows and save! Ask about the Brink Bundle.
Check out our Facebook and Twitter pages and you'll see some of the new look. The new website is still under construction but you'll be redirected to the old website and can still read about Harbinger and When The Rain Stops Falling there. Then don't hesitate. Book at BASS or call 131 246!
Gotta go. I hear slipperyfish calling....
We're still rolling it out and you'll see bits and pieces here, there and everywhere over the next few days. It's been a very exciting process. We collaborated with leading integrated communication company slipperyfish - just like we do when we make work for the stage. We'll tell you more about that collaboration soon.
Meantime we'd love you to see what's up next for Brink in the new brochure. You can collect one from Dunstan Playhouse or call us at the Brink office with your details and we'll happily post one out (Tel: 8211 6565)
The new brochure tells you about the shows for 2010 (a new work, Harbinger, and a short return season of our multi-award winning production of When The Rain Stops Falling before it tours for the very last time) and how you can buy tickets to Brink shows and save! Ask about the Brink Bundle.
Check out our Facebook and Twitter pages and you'll see some of the new look. The new website is still under construction but you'll be redirected to the old website and can still read about Harbinger and When The Rain Stops Falling there. Then don't hesitate. Book at BASS or call 131 246!
Gotta go. I hear slipperyfish calling....
Tuesday, December 1
Day 3 of Gorge '09
After an amusing litany of disembodied voiceover descriptors, Mistress of Ceremonies Libby O'Donovan, soared into the third and final night of Gorge '09 with Quando Quando Quando. The quaffing of an audience member's beer joke from previous nights was taken to new levels when Libby produced a replacement bottle from the depths of...well... from a place unmentionable in this blog. Undeterred by the fact it wasn't a screwtop she invited said audience member to plunge her hand into Libby's bosom to find - ta da - a small bottle opener!
Daisy and Chris reiterated the genesis, rules and process of Gorge for those who could be described as Gorge virgins. Happily there were a number of people who had attended all three nights and some who had been there the previous night.
The third and final writer, Nicki Bloom was introduced and initially showed a degree of nervousness during her interview on the red couch with Daisy. But after her Gorge '09 commissioned work, Footsoldiers, was read by Brendan Rock and Rory Walker she blossomed as she spoke about her work and process.
After the interval Footsoldiers was interpreted by Real Time Collaborators and Stone/Castro.
Real Time Collaborators performed in front of a curtain made of newspaper and cleverly used 4 actors in their interpretation, focussing on the absurdist elements of the script. Two females played the protagonist soldiers and the two males provided a kind of Greek chorus and onstage sound fx. When the newspaper was pulled down it revealed a pile of 300+ pairs of black and white thongs - at which an understanding aaaah ran thru the audience, all of whom had been somewhat mystified at the thongs stashed in odd places, high and low, in the Space Theatre foyer, toilets and approaches to the theatre.
Stone/Castro's piece was directed by Paulo Castro and was influenced by the notions of war and its psychological impact. Paulo told the audience in the forum that followed that, even before reading the script, he had a vision of a red cloth being slowly revealed and playing a prominent part in the interpretation, in the creation of its world. And so was delighted when he read the script and was able to incorporate it strikingly into his interpretation.
The two interpretations - vastly different - gave a good basis for discussion in the forum that followed. Though one audience member appeared to fixate on the fact that Stone/Castro's interpretation had included a gun which was not mentioned in the script and questioned - several times - if such an action was against the Gorge rules and whether it was right to add an element not prescribed by the playwright.. Most of the audience were somewhat bemused that, even though RTC had used 4 actors to interpret the same script, this appeared not to cause the audience member the same concern.
Nicky reiterated how, in her writing, she uses minimal stage directions which allows a greater freedom of interpretation. She also revealed that she doesn't visualise her writing on stage, she leaves that to the director, designer and actors. She went on to say she sees her writing in landscapes and colours and can see when there is something wrong with the landscape.
It was a great finish to a fabulous 3 nights - and congrats should be made to Daisy and Chris for their eloquent and engaging hosting of Gorge '09 as an event. And to Francoise and her team for their able and generous support to everyone involved. Special mention should be made of design associate, Wendy Todd, whose 1st half set/decor added a GORGEous element!
Indeed the credit roll in the program listed nearly everyone who was engaged directly with making Gorge '09 the event it was - entertaining, energising, educative and excellent. More than 60 people were involved one way or another.
A student from UNI SA is conducting research on Gorge '09 as part of her Masters, including holding interviews and focus groups. And, as part of that research, asked audience to participate in a survey. Which they did as willingly and enthusiastically as they interacted with all elements of Gorge '09. Brava brava - the audience!
You can scroll back through earlier posts and read what each of the writers and most of the companies wrote in to Brink Bits as part of being involved in Gorge '09. And you can read a series of reviews on Brink's website (www.brinkproductions.com) under latest news and reviews.
We at Brink are pleased to have presented Gorge '09, in association with Adelaide Festival Centre's inSPACE program, as a way of giving back to the community of which it is at once part of and supported by.... It was a mini fest of performance and spoken work, it was raw, immediate and unpredictable - and everyone GORGEd on it!
We'll have some photos to share soon.... Big hugs and thanks to everyone involved.
Gorge is an original concept by Daisy Brown [The Misery Children]
Daisy and Chris reiterated the genesis, rules and process of Gorge for those who could be described as Gorge virgins. Happily there were a number of people who had attended all three nights and some who had been there the previous night.
The third and final writer, Nicki Bloom was introduced and initially showed a degree of nervousness during her interview on the red couch with Daisy. But after her Gorge '09 commissioned work, Footsoldiers, was read by Brendan Rock and Rory Walker she blossomed as she spoke about her work and process.
After the interval Footsoldiers was interpreted by Real Time Collaborators and Stone/Castro.
Real Time Collaborators performed in front of a curtain made of newspaper and cleverly used 4 actors in their interpretation, focussing on the absurdist elements of the script. Two females played the protagonist soldiers and the two males provided a kind of Greek chorus and onstage sound fx. When the newspaper was pulled down it revealed a pile of 300+ pairs of black and white thongs - at which an understanding aaaah ran thru the audience, all of whom had been somewhat mystified at the thongs stashed in odd places, high and low, in the Space Theatre foyer, toilets and approaches to the theatre.
Stone/Castro's piece was directed by Paulo Castro and was influenced by the notions of war and its psychological impact. Paulo told the audience in the forum that followed that, even before reading the script, he had a vision of a red cloth being slowly revealed and playing a prominent part in the interpretation, in the creation of its world. And so was delighted when he read the script and was able to incorporate it strikingly into his interpretation.
The two interpretations - vastly different - gave a good basis for discussion in the forum that followed. Though one audience member appeared to fixate on the fact that Stone/Castro's interpretation had included a gun which was not mentioned in the script and questioned - several times - if such an action was against the Gorge rules and whether it was right to add an element not prescribed by the playwright.. Most of the audience were somewhat bemused that, even though RTC had used 4 actors to interpret the same script, this appeared not to cause the audience member the same concern.
Nicky reiterated how, in her writing, she uses minimal stage directions which allows a greater freedom of interpretation. She also revealed that she doesn't visualise her writing on stage, she leaves that to the director, designer and actors. She went on to say she sees her writing in landscapes and colours and can see when there is something wrong with the landscape.
It was a great finish to a fabulous 3 nights - and congrats should be made to Daisy and Chris for their eloquent and engaging hosting of Gorge '09 as an event. And to Francoise and her team for their able and generous support to everyone involved. Special mention should be made of design associate, Wendy Todd, whose 1st half set/decor added a GORGEous element!
Indeed the credit roll in the program listed nearly everyone who was engaged directly with making Gorge '09 the event it was - entertaining, energising, educative and excellent. More than 60 people were involved one way or another.
A student from UNI SA is conducting research on Gorge '09 as part of her Masters, including holding interviews and focus groups. And, as part of that research, asked audience to participate in a survey. Which they did as willingly and enthusiastically as they interacted with all elements of Gorge '09. Brava brava - the audience!
You can scroll back through earlier posts and read what each of the writers and most of the companies wrote in to Brink Bits as part of being involved in Gorge '09. And you can read a series of reviews on Brink's website (www.brinkproductions.com) under latest news and reviews.
We at Brink are pleased to have presented Gorge '09, in association with Adelaide Festival Centre's inSPACE program, as a way of giving back to the community of which it is at once part of and supported by.... It was a mini fest of performance and spoken work, it was raw, immediate and unpredictable - and everyone GORGEd on it!
We'll have some photos to share soon.... Big hugs and thanks to everyone involved.
Gorge is an original concept by Daisy Brown [The Misery Children]
Saturday, November 21
DAY 2 of Gorge '09
The sassy songbird, Libby O'Donovan, sung us sensationally into the second night of Gorge '09, this time looking vampy and voluptuous in a figure-hugging red gown. Accompanied with great relish on the keyboard by the incomparable Matthew Carey, Matthew showed his gift with a quip by throwing in the odd provocative comment from the keyboard during Q and As.
Daisy Brown and Chris Drummond, felt a bit like it was Groundhog Day @ Space Theatre last night. About half the audience had been there the night before so knew the drill. But D and C wanted to ensure first-timers were included. So they reiterated the background to Gorge, the rules and so on. You can read it in an earlier blog.
Featured writer last night was Matthew Cormack. Matt writes for film usually - and, as he pointed out, collaboratively. So the script he wrote for Gorge '09 was not only his first theatre script but also the first he had written alone so quite a challenge.
During Daisy's writer Q and A, Matt revealed he was born in Adelaide, grew up in Adelaide and had brought his Mum along to verify this. He also revealed he was a twin - a point the audience remembered later when they heard his play, Like Brothers In A Bathtub, read by Eliza Lovell, Rory Walker and Brendan Rock, in which Matt's main character has a twin - or does he?
First interpretation of the work after interval was by media-inspired company TheimaGen (Director, Justin McGuinness, later explained the name describes them as 'of the theatre and image generation').
Using two projection screens, a shopping trolley, a banana, a fluorescent light and two actors, Jamie Harding and Kate Roxby, TheimaGen combined live performance with film and played between the two - literally.
Unreasonable Adults, who describe themselves as a hybrid-art collective, presented a non-verbal installation type interpretation with a range of props - including a banana - and the script realised with text-to-speech synthesis.
The two very contrasting interpretations divided the audience completely and resulted in some robust discussion and heated comment during the forum that followed, with a couple of people expressing their opinion that the writer's script had been dishonoured by UA's interpretation. The writer, though, expressed admiration for both interpretations and reflected that each were equally valid.
Two in the audience who spoke strongly for the UA interpretation were brothers and actors David and Brendan Rock. When Chris Drummond pointed out to the audience that they were twins they immediately cried out together, "But we're not in a bathtub!" Hilarious. Well, maybe you had to be there!
The heated and robust discussion continued down in the Bistro post-show with questions being raised about what is art and what is not.
The final night of GORGE '09 tonight sees Nicki Bloom's play, Footsoldiers, interpreted by Real Time Collaborators and Stone/Castro. You'd be mad to miss it....
Daisy Brown and Chris Drummond, felt a bit like it was Groundhog Day @ Space Theatre last night. About half the audience had been there the night before so knew the drill. But D and C wanted to ensure first-timers were included. So they reiterated the background to Gorge, the rules and so on. You can read it in an earlier blog.
Featured writer last night was Matthew Cormack. Matt writes for film usually - and, as he pointed out, collaboratively. So the script he wrote for Gorge '09 was not only his first theatre script but also the first he had written alone so quite a challenge.
During Daisy's writer Q and A, Matt revealed he was born in Adelaide, grew up in Adelaide and had brought his Mum along to verify this. He also revealed he was a twin - a point the audience remembered later when they heard his play, Like Brothers In A Bathtub, read by Eliza Lovell, Rory Walker and Brendan Rock, in which Matt's main character has a twin - or does he?
First interpretation of the work after interval was by media-inspired company TheimaGen (Director, Justin McGuinness, later explained the name describes them as 'of the theatre and image generation').
Using two projection screens, a shopping trolley, a banana, a fluorescent light and two actors, Jamie Harding and Kate Roxby, TheimaGen combined live performance with film and played between the two - literally.
Unreasonable Adults, who describe themselves as a hybrid-art collective, presented a non-verbal installation type interpretation with a range of props - including a banana - and the script realised with text-to-speech synthesis.
The two very contrasting interpretations divided the audience completely and resulted in some robust discussion and heated comment during the forum that followed, with a couple of people expressing their opinion that the writer's script had been dishonoured by UA's interpretation. The writer, though, expressed admiration for both interpretations and reflected that each were equally valid.
Two in the audience who spoke strongly for the UA interpretation were brothers and actors David and Brendan Rock. When Chris Drummond pointed out to the audience that they were twins they immediately cried out together, "But we're not in a bathtub!" Hilarious. Well, maybe you had to be there!
The heated and robust discussion continued down in the Bistro post-show with questions being raised about what is art and what is not.
The final night of GORGE '09 tonight sees Nicki Bloom's play, Footsoldiers, interpreted by Real Time Collaborators and Stone/Castro. You'd be mad to miss it....
Friday, November 20
The GORGE-ing has begun!
Day one of Gorge '09 went well.
The luscious Libby O'Donovan was Mistress of Ceremonies and sang the show off to a good start after downing an audience member's beer in one! Yes, you can take drinks in to Gorge '09...
Framed within a set dripping with red and strawberries, Gorge '09 artistic directors, Daisy Brown and Chris Drummond, gave the audience the back story to Gorge, the rules the artist had to work within and a quick summary of how the night would run - and encouraged the audience to be interactive throughout.
Led by Libby like a lamb to slaughter, Alirio, as the featured writer of the night, joined Daisy on the red couch. In an amusing question and answer routine (including multiple choice), the audience heard a little about Alirio's background - where he began, what his worst bad habit was - and his process as a writer and writing this script for Gorge '09.
Alirio's script (Conflict Under An Australian Quilt) was read by 3 local actors, Eliza Lovell, Brendan Rock and Rory Walker, with script directions by Chris Drummond. This set up for the two amazingly different interpretations of the script presented after interval by freelance director Dan Clarke (with actors Tamara Lee, Sahil Choujar and Mondli Makhoba) and freelance choreographer Aidan Munn (with dancers José Gonzalez, Glen McCurley and Rachel Mendham).
As part of the rules of Gorge, neither artist could have contact with the writer to discuss the script or question meaning or intention. During the interactive forum at the end the audience was treated with hearing the very different ways Dan and Aidan each went about interpreting the script they were given and bringing it to life onstage.
The success of Gorge is as much in the hands of the audience as it is those on stage and last night's audience got very much into the spirit of things. Marks will be given at the end of Gorge '09 for the best/loudest/most interactive audience!
Next on the chopping block is writer, Matt Cormack! Tonight Matt's script, Like Brothers in a Bathtub, will be interpreted by Unreasonable Adults and TheimaGen.
Wednesday, November 18
Being short isn't easy!
Nicki Bloom, the third of the three commissioned Gorge '09 writers has given Brink Bits... her thoughts on writing a ten minute play.
I find ten minute plays difficult to write. I find ten minute plays with no restrictions on theme, scope or content even more difficult to write. With a longer play you have the luxury of time in which to build the linguistic patterns, psychological details and thematic resonances which constitute the universe of the play. In a ten-minute play, the universe needs to be immediate – created, contained and understood from the first. I like my work to be at once specific and open. Specific in its language and rhythms, so as to give performers firm, secure footholds, yet open enough to allow room for invention, movement and discovery. I am very much looking forward to seeing what the universes we’ve all made alone look like together…
I find ten minute plays difficult to write. I find ten minute plays with no restrictions on theme, scope or content even more difficult to write. With a longer play you have the luxury of time in which to build the linguistic patterns, psychological details and thematic resonances which constitute the universe of the play. In a ten-minute play, the universe needs to be immediate – created, contained and understood from the first. I like my work to be at once specific and open. Specific in its language and rhythms, so as to give performers firm, secure footholds, yet open enough to allow room for invention, movement and discovery. I am very much looking forward to seeing what the universes we’ve all made alone look like together…
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