Friday, August 13

Two young strangers on a hunt for ghosts and monsters

Pressed further by Brink Bits, director Chris Drummond tries to lessen the mystery surrounding Harbinger - mystery that has arisen from the Brink marketing pundits struggling to find a way to talk about the show without revealing too much too soon. What we call  'spoilers' that reveal too much to audiences before they experience the play. In Chris' words....

I am reticent... to reveal the plot … and to talk about the process.  I don't want to analyse what we're doing.  The minute you start analysing what you’re doing in rehearsals you’re lost. But I have to give it a crack, so…. what to say?

Photo by Chris Herzfeld

For starters, the reason for being so circumspect about the plot is that Harbinger's main 'fuel' is the element of surprise.  I can tell you Harbinger is a ‘quest’ play that occurs over the course of one night from dusk to dawn, involving two young strangers on a hunt for ghosts and monsters.  Along the way there are hauntings and transformations, Ziggy Stardust, Hall & Oats and an excess of blood. The play makes wondrously impossible demands of the stage and the actors... has a brilliant ear for the idiosyncrasies of human behaviour and exquisite playfulness and wit.  Right now in rehearsals we have (at least) two ways to read the play… two different layers through which to understand it.  Our job is to build a journey that encapsulates both these layers without committing to either.  This can be truly difficult work but when it comes together the play springs into life.  The actors are doing absolutely beautiful work and there's a density and a lightness to their playing.   Most days, usually late afternoon, the rehearsal room becomes filled with giggling idiots incapable of speaking.    Not unusual in a rehearsal room but particularly persistent here.  I try and claim it has to do with some brilliant insight or other... but Yael just reckons it's a disease that needs to be destroyed.  Either way, it's joyous.



Thursday, August 12

A brilliant combination of romantic horror and deadpan wit

Brink Bits pressed director Chris Drummond to step out of the rehearsal room and describe Harbinger, written by Matthew Whittet, so we can all get an insight into what we might expect from Brink's new and mysterious play.

Harbinger opens up unexpected worlds. It’s vivid exciting theatre. A brilliant combination of romantic horror and deadpan wit, it twists and bucks and shimmers like a disturbing and beautiful dream. It goes into very dark places but it’s got a huge heart. I think Harbinger is one of the most intelligent, generous, playful and imaginative shows I’ve ever worked on.

Sunday, August 8

What an eerie rehearsal room!

Melanie Selwood, Stage Manager of Harbinger, told Brink Bits about spooky shadows, spooky sounds and ghosts of theatres past... 

This week we’ve been rehearsing in an old church that has been converted to a proscenium arch theatre as part of the Holden Street Theatres. The stained glass windows are blacked out, elongated shadows that appear on the walls in the afternoons, spooky darkness. Wednesday afternoon  we played with some of the sound effects that we might be using in the show and the old church definitely provided the perfect atmosphere. We turned the lights off and sat in near-darkness listening to screams, screeches, bats flapping and deep breathing. It felt like we were sitting in our own horror movie, complete with tombstones on the walls and spider webs in the corners. Who knows what ghosts will start haunting us!!



Wednesday, July 28

Coffee mysteriously appears in rehearsal

Straight from the rehearsal room....

In the middle of a scene today, there was a knock on the door and a man holding a tray of coffee said 'I thought you might like some coffee.' He then left. We were all stunned and thought it had come by mistake.

It turns out this man lives across the road and was cooking in his kitchen thinking that we might need some coffee so brought it over for us. What generosity!

Below is a picture of Matilda, one of the secondees on Harbinger, and Yael (who plays Maddy) with the fabulous tray of coffee. It even had chocolates!




Harbinger is coming

 It's been yonks since we've blogged on Brink Bits.....!

We have just started rehearsals for our new work Harbinger and we'll try to get the director, the writer, the actors, the stage manager - ANYONE! - to give us bits of this and bits of that to post in the Brink blog. We want to tell you what's happening behind the scenes - and what's NOT happening! What should be happening and just general goss.

You've probably heard that young Matt Whittet is the writer. Sorry, we're supposed to say Matthew Whittet! He's been doing another show with Windmill. But it's our turn for Matt now!  Well soon..... Anyway, he's really done his bit. He's written the play! It's outa his hands!  We'll try and get a few lines from Matt soon about how it feels to hear actors SPEAK your lines...

And we'll get the Director, Chris Drummond, to spill the beans on rehearsing a new work like Harbinger.

Actors ALWAYS have an opinion and something to say so we're sure to get a few words from Nathan, Yael or Alex at some point. Whether it has anything to do with the play is a moot point but we remain hopeful.

And last but not least the stage manager. Melanie Selwood. will tell what she has to put up with in the rehearsal room - with the help of ASM, Kat Braun.

Who knows who else we'll rope in to share some backstage secrets with you. You'll just have to check in from time to time to find out!

So, take note! Harbinger is coming soon to a theatre near you....

Tuesday, May 4

New look for Brink

It's been a long time since we wrote anything on Brink Bits.... for no other reason that we've been busy creating a new look for Brink Productions.

We're still rolling it out and you'll see bits and pieces here, there and everywhere over the next few days.    It's been a very exciting process. We collaborated with leading integrated communication company slipperyfish - just like we do when we make work for the stage. We'll tell you more about that collaboration soon.

Meantime we'd love you to see what's up next for Brink in the new brochure.  You can collect one from Dunstan Playhouse or call us at the Brink office with your details and we'll happily post one out (Tel: 8211 6565)

The new brochure tells you about the shows for 2010 (a new work, Harbinger, and a short return season of our multi-award winning production of When The Rain Stops Falling before it tours for the very last time) and how you can buy tickets to Brink shows and save! Ask about the Brink Bundle.

Check out our Facebook and Twitter pages and you'll see some of the new look. The new website is still under construction but you'll be redirected to the old website and can still read about Harbinger and When The Rain Stops Falling there. Then don't hesitate.  Book at BASS or call 131 246!

Gotta go. I hear slipperyfish calling....

Tuesday, December 1

Day 3 of Gorge '09

After an amusing litany of disembodied voiceover descriptors, Mistress of Ceremonies Libby O'Donovan, soared into the third and final night of Gorge '09 with Quando Quando Quando.  The quaffing of an audience member's beer joke from previous nights was taken to new levels when Libby produced a replacement bottle from the depths of...well... from a place unmentionable in this blog. Undeterred by the fact it wasn't a screwtop she invited said audience member to plunge her hand into Libby's bosom to find - ta da - a small bottle opener!

Daisy and Chris reiterated the genesis, rules and process of Gorge for those who could be described as Gorge virgins. Happily there were a number of people who had attended all three nights and some who had been there the previous night.

The third and final writer, Nicki Bloom was introduced and initially showed a degree of nervousness during her interview on the red couch with Daisy. But after her Gorge '09 commissioned work, Footsoldiers,  was read by Brendan Rock and Rory Walker she blossomed as she spoke about her work and process.

After the interval Footsoldiers was interpreted by Real Time Collaborators and Stone/Castro.

Real Time Collaborators performed in front of a curtain made of newspaper and cleverly used 4 actors in their interpretation, focussing on the absurdist elements  of the script. Two females played the protagonist soldiers and the two males provided a kind of Greek chorus and onstage sound fx. When the newspaper was pulled down it revealed a pile of 300+ pairs of black and white thongs - at which an understanding aaaah ran thru the audience, all of whom had been somewhat mystified at the thongs stashed in odd places, high and low, in the Space Theatre foyer, toilets and approaches to the theatre.

Stone/Castro's piece was directed by Paulo Castro and was influenced by the notions of war and its psychological impact. Paulo told the audience in the forum that followed that, even before reading the script, he had a vision of a red cloth being slowly revealed and playing a prominent part in the interpretation, in the creation of its world. And so was delighted when he read the script and was able to incorporate it strikingly into his interpretation.

The two interpretations - vastly different - gave a good basis for discussion in the forum that followed. Though one audience member appeared to fixate on the fact that Stone/Castro's interpretation had included a gun which was not mentioned in the script and questioned - several times -  if such an action was against the Gorge rules and whether it was right to add an element not prescribed by the playwright.. Most of the audience were somewhat bemused that, even though RTC had used 4 actors to interpret the same script, this appeared not to cause the audience member the same concern.

Nicky reiterated how, in her writing, she uses minimal stage directions which allows a greater freedom of interpretation. She also revealed that she doesn't visualise her writing on stage, she leaves that to the director, designer and actors. She went on to say she sees her writing in landscapes and colours and can see when there is something wrong with the landscape.

It was a great finish to a fabulous 3 nights - and congrats should be made to Daisy and Chris for their eloquent and engaging hosting of Gorge '09 as an event. And to Francoise and her team for their able and generous support to everyone involved. Special mention should be made of design associate, Wendy Todd, whose 1st half set/decor added a GORGEous element!

Indeed the credit roll in the program listed nearly everyone who was engaged directly with making Gorge '09 the event it was - entertaining, energising, educative and excellent. More than 60 people were involved one way or another.

A student from UNI SA is conducting research on Gorge '09 as part of her Masters, including holding interviews and focus groups. And, as part of that research, asked audience to participate in a survey. Which they did as willingly and enthusiastically as they interacted with all elements of Gorge '09. Brava brava -  the audience!

You can scroll back through earlier posts and read what each of the writers and most of the companies wrote in to Brink Bits as part of being involved in Gorge '09. And you can read a series of reviews on Brink's website (www.brinkproductions.com) under latest news and reviews.

We at Brink are pleased to have presented Gorge '09, in association with Adelaide Festival Centre's inSPACE program, as a way of giving back to the community of which it is at once part of and supported by....  It was a mini fest of performance and spoken work,  it was raw, immediate and unpredictable - and everyone GORGEd on it!

We'll have some photos to share soon....  Big hugs and thanks to everyone involved.

Gorge is an original concept  by Daisy Brown [The Misery Children]